We shoot our heroes and enjoy peripeteia as a spectacle akin to sport and perhaps harshly disavowing the past protects us from the disappointment of our outsized hopes–who knows, really, but shifts in taste don’t fully account for the phenomenon. At any rate, nearly everything urgent and alive becomes doo-wop down the road, at least in this country’s pop culture, and along the way a somewhat self-hating irony lays waste not only to the work but to the desires it once carried. It’s like we die into adulthood.

We shoot our heroes and enjoy peripeteia as a spectacle akin to sport and perhaps harshly disavowing the past protects us from the disappointment of our outsized hopes–who knows, really, but shifts in taste don’t fully account for the phenomenon. At any rate, nearly everything urgent and alive becomes doo-wop down the road, at least in this country’s pop culture, and along the way a somewhat self-hating irony lays waste not only to the work but to the desires it once carried. It’s like we die into adulthood.

– Charles D’Ambrosio –

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