Rupi Kaur

If I knew what safety looked like, I would have spent less time falling into arms that were not

If I knew what safety looked like, I would have spent less time falling into arms that were not

– Rupi Kaur –

Milk and Honey

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John Green

A child said, What is the grass? fetching it to me will full hands; How could I answer the child?……I do not know what it is any more than he. I guess it must be the flag of my disposition, out of hopeful green stuff woven. There was the hope Dr. Holden had talked about-the grass was a metaphor for his hope. But that”s not all. He continues, Or I guess it is the handkerchief of the Lord, A scented gift and remembrancer designedly dropped, Like grass is a metaphor for God’s greatness or something…. And then soon after is itself a child…. And then soon after that, Or, I guess it is a uniform hieroglyphic, And it means, Sprouting alike in broadzones and narrow zones. Growing among black folk as among white.

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DO IT NOWIf with pleasure you are viewingany work a man is doing,If you like him or you love him,tell him now;Don’t withhold your approbationtill the parson makes orationAnd he lies with snowy lilies on his brow;No matter how you shout ithe won’t really care about it;He won’t know how many teardrops you have shed;If you think some praise is due himnow’s the time to slip it to him,For he cannot read his tombstone when he’s dead.More than fame and more than moneyis the comment kind and sunnyAnd the hearty, warm approval of a friend.For it gives to life a savor,and it makes you stronger, braver,And it gives you heart and spirit to the end;If he earns your praise – bestow it,if you like him let him know it,Let the words of true encouragement be said;Do not wait till life is overand he’s underneath the clover,For he cannot read his tombstone when he’s dead.

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At childhood’s end, the houses petered outinto playing fields, the factory, allotmentskept, like mistresses, by kneeling married men, the silent railway line, the hermit’s caravan, till you came at last to the edge of the woods. It was there that I first clapped eyes on the wolf. He stood in a clearing, reading his verse out loud in his wolfy drawl, a paperback in his hairy paw, red wine staining his bearded jaw. What big earshe had! What big eyes he had! What teeth!In the interval, I made quite sure he spotted me, sweet sixteen, never been, babe, waif, and bought me a drink, my first. You might ask why. Here’s why. Poetry.The wolf, I knew, would lead me deep into the woods,away from home, to a dark tangled thorny placelit by the eyes of owls. I crawled in his wake,my stockings ripped to shreds, scraps of red from my blazersnagged on twig and branch, murder clues. I lost both shoesbut got there, wolf’s lair, better beware. Lesson one that night, breath of the wolf in my ear, was the love poem.I clung till dawn to his thrashing fur, forwhat little girl doesn’t dearly love a wolf?Then I slid from between his heavy matted pawsand went in search of a living bird – white dove –which flew, straight, from my hands to his hope mouth.One bite, dead. How nice, breakfast in bed, he said,licking his chops. As soon as he slept, I crept to the backof the lair, where a whole wall was crimson, gold, aglow with books.Words, words were truly alive on the tongue, in the head,warm, beating, frantic, winged; music and blood.But then I was young – and it took ten years in the woods to tell that a mushroomstoppers the mouth of a buried corpse, that birdsare the uttered thought of trees, that a greying wolfhowls the same old song at the moon, year in, year out,season after season, same rhyme, same reason. I took an axeto a willow to see how it wept. I took an axe to a salmonto see how it leapt. I took an axe to the wolfas he slept, one chop, scrotum to throat, and saw the glistening, virgin white of my grandmother’s bones.I filled his old belly with stones. I stitched him up.Out of the forest I come with my flowers, singing, all

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