Category: Michel Houellebecq

Michel Houellebecq

For myself, I wouldn’t have lifted a finger to own a Rolex, a pair of Nikes or a BMW Z3; in fact, I had never succeeded in identifying the slightest difference between designer goods and non-designer goods. In the eyes of the world, I was clearly wrong. I was aware of this: I was in a minority, and consequently in the wrong. There had to be a difference between Yves Saint-Laurent shirts and other shirts, between Gucci moccasins and Andre moccasins. I was alone in not perceiving this difference; it was an infirmity which I could not cite as grounds for condemning the world. Does one ask a blind man to set himself up as an expert on post-impressionist painting? Through my blindness, however involuntary, I set myself apart from a living human reality powerful enough to incite both devotion and crime. These youths, through their half-savage instincts, undoubtedly discerned the presence of beauty; their desire was laudable, and perfectly in keeping with social norms; it was merely a question of rectifying the inappropriate way in which it was expressed.

Michel Houellebecq

Contemporary consciousness is no longer equipped to deal with our mortality. Never in any other time, or any other civilization, have people thought so much or so contantly about aging. Each individual has a simple view of the future: a time will come when the sum of pleasures that life has left to offer is outweighed by the sum of pain (one can actually feel the meter ticking, and it ticks always in the same direction). This weighing up of pleasure and pain, which everyone is forced to make sooner or later, leads logically, at a certain age, to suicide.

Michel Houellebecq

Nevertheless, some free time remains. What’s to be done? How do you use your time? In dedicating yourself to helping people? But basically other people don’t interest you. Listening to records? That used to be a solution, but as the years go by you have to say that music moves you less and less. Taken in its widest sense, a spot of do-it-yourself can be a way out. But the fact is that nothing can halt the ever-increasing recurrence of those moments when your total isolation, the sensation of an all-consuming emptiness, the foreboding that your existence is nearing a painful and definitive end all combine to plunge you into a state of real suffering.

Michel Houellebecq

It is possible to construct a history which is logically consistent. It cannot be said to be true; simply that it can be sustained without contradiction. Under a given set of experimental conditions, a finite number of possible histories can be recreated using Griffiths’s method; these are called Griffiths’s Consistent Histories. In these, the world behaves as though composed of separate objects, each having fixed, intrinsic properties. However, the number of consistent histories that can be created from a single set of data is generally greater than one. As a being you are self-aware, and this consciousness allows you to hypothesize that the story you’ve created from a given set of memories is a consistent history, justified by a single narrative voice. As a unique individual, having existed for a particular period and been subjected to an ontology of objects and properties, you can assert this with absolute certainty, and so automatically assume that it is a Griffiths’s history. You make this hypothesis about real life, rather than about the domain of dreams.

Michel Houellebecq

Maybe my dissertation really had been as brilliant as he claimed, the truth was I remember almost nothing about it; the intellectual leaps I made when I was young were a distant memory to me, and now I was surrounded by a kind of aura, when really my only goal in life was to do a little reading and get in bed at four in the afternoon with a carton of cigarettes and a bottle; and yet, at the same time, I had to admit, I was going to die if I kept that up – I was going to die fast, unhappy and alone. And did I really want to die fast, unhappy and alone? In the end, only kind of.