Christopher Bram

The fact of the matter is that readers and audiences are never blank slates: individuals see in a work whatever they need to see at that moment.

The fact of the matter is that readers and audiences are never blank slates: individuals see in a work whatever they need to see at that moment.

– Christopher Bram –

Eminent Outlaws: The Gay Writers Who Changed America

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Meghan Tifft

That is why my first and most pressing question seems like such an outright act of mutiny. What I want to know is, since when does making art require participation in any community, beyond the intense participation that the art itself is undertaking? Since when am I not contributing to the community if all I want to do is make the art itself? Isn’t the art itself my intimate communication with others, with the world, with the unfolding spectacle of the human struggle as we live and coexist on this earth?

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