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Elizabeth Hellmuth Margulis

Repetition draws us into music, and repetition draws music into us.

Repetition draws us into music, and repetition draws music into us.

– Elizabeth Hellmuth Margulis –

On Repeat: How Music Plays the Mind

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Guy Gavriel Kay

He sang one whole verse directly to her, then, in fidelity to the song, he sent his vision inward to where his purest music was always found, and he looked at no one at all as he sang to Eanna herself, a hymn to names and the naming of things.

Our sense of a composition largely inheres in how we feel about the individual parts; narrative arcs are almost always essential in drama but (unless there are lyrics involved) often less essential in music. All of this is, I suspect, again symptomatic of human memory limitations. We live, to a remarkable degree, in the present; what happened thirty seconds ago is already rapidly fading from our memory (or at least rapidly becomes harder for us to retrieve).

All that you touch All that you see All that you taste All you feel. All that you love All that you hate All you distrust All you save. All that you give All that you deal All that you buy, beg, borrow or steal. All you create All you destroy All that you do All that you say. All that you eat And everyone you meet All that you slight And everyone you fight. All that is now All that is gone All that’s to come and everything under the sun is in tune but the sun is eclipsed by the moon. “There is no dark side of the moon really. Matter of fact it’s all dark.

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