A poem must be authentic. It could be flowery, it could have the most brilliant metaphor, it could be bursting with onomatopoeia and alliteration, assonance and consonance, hyperbole and paradox, from every end, it could have daring syntax and clever cacophony, it could have a neat and ordered rhyme scheme…but, if it loses its authenticity, its ability to convey the very heart and soul of the poet, then all the euphony and cacophony in the world cannot make up for the loss of its identity as a poem. And that is the true cacophony.

A poem must be authentic. It could be flowery, it could have the most brilliant metaphor, it could be bursting with onomatopoeia and alliteration, assonance and consonance, hyperbole and paradox, from every end, it could have daring syntax and clever cacophony, it could have a neat and ordered rhyme scheme…but, if it loses its authenticity, its ability to convey the very heart and soul of the poet, then all the euphony and cacophony in the world cannot make up for the loss of its identity as a poem. And that is the true cacophony.

– Gina Marinello-Sweeney –

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