Kathryn Davis

Two adolescent girls on a hot summer night–hardly the material of great literature, which tends to endow all male experience (that of those twin brothers who found themselves adrift so many years ago in the dark northern woods for instance) with universal radiance. Faithless sons, wars and typhoons, fields of blood, greed and knives: our literature’s full of such stories. And yet suppose for an instant that it wasn’t the complacent father but his bored daughter who was the Prime Mover; suppose that what came first wasn’t an appetite for drama but the urge to awaken it. Mightn’t we then permit a single summer in the lives of two bored girls to represent an essential stage in the history of the universe?


Two adolescent girls on a hot summer night–hardly the material of great literature, which tends to endow all male experience (that of those twin brothers who found themselves adrift so many years ago in the dark northern woods for instance) with universal radiance. Faithless sons, wars and typhoons, fields of blood, greed and knives: our literature’s full of such stories. And yet suppose for an instant that it wasn’t the complacent father but his bored daughter who was the Prime Mover; suppose that what came first wasn’t an appetite for drama but the urge to awaken it. Mightn’t we then permit a single summer in the lives of two bored girls to represent an essential stage in the history of the universe?

– Kathryn Davis –

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