Lydia Millet

There was the honour and austerity of money as he walked through art galleries, as he saw around him the collections of oil paintings by dead men, lit so carefully that warmth seemed to emanate from within – and not because their art was loved or understood but because it could be sold and bought for handsome sums.


There was the honour and austerity of money as he walked through art galleries, as he saw around him the collections of oil paintings by dead men, lit so carefully that warmth seemed to emanate from within – and not because their art was loved or understood but because it could be sold and bought for handsome sums.

– Lydia Millet –

How the Dead Dream

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