Rose Christo

I don’t like this, Toua,” I go on. “We’re like birds that have flown a very long way from their nest. We’re like nettles in a garden full of hops. We shouldn’t have to hide who we are. Our faces are unseen.

I don’t like this, Toua,” I go on. “We’re like birds that have flown a very long way from their nest. We’re like nettles in a garden full of hops. We shouldn’t have to hide who we are. Our faces are unseen.

– Rose Christo –

Unborn: Three Short Stories

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bell hooks

We keep coming back to the question of representation because identity is always about representation. People forget that when they wanted white women to get into the workforce because of the world war, what did they start doing? They started having a lot of commercials, a lot of movies, a lot of things that were redoing the female image, saying, “Hey, you can work for the war, but you can still be feminine.” So what we see is that the mass media, film, TV, all of these things, are powerful vehicles for maintaining the kinds of systems of domination we live under, imperialism, racism, sexism etc. Often there’s a denial of this and art is presented as politically neutral, as though it is not shaped by a reality of domination.

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